Taken from:
Aikido Yoshinkan International
Vol. 5 No. 4
April 1995
by Robert Mustard
The foundation of Yoshinkan Aikido lies in the understanding of kamae(basic
stance) and kihondosa (basic movements). The basic movements are designed
to facilitate the proper implementation of the basic techniques, which,
in turn leads to intermediate level techniques, advanced techniques
and finally waza. The different stages are interesting as they evolve
from and maintain the proper, basic form.
But
are these stages different? I think not, and this article - based
on my experience in the honbu dojo- I will endeavor to show that
although kata, different levels of technique, and jiyuwaza (free
style techniques) are different, they are essentially the same.
The techniques of Yoshinkan Aikido are practiced
in kata or prearranged forms, with both partners understanding their
respective roles and cooperating to perform the techniques. The
basic techniques are performed repeatedly until they become natural
and can be done instantly when required in class.
The basic techniques are practiced to understand
how to control ourselves, which in turn allows us to control uke's
(person who receives the technique) body through correct movement,
distancing, and timing, applying the power along lines where uke
is weak and shite (person who does the technique) is strong. Waza
are the subtle changes made to the basic techniques to make them
more effective on uke.
To understand this difference takes alot of practice
and effort and also a certain amount of frustration. It is also
beneficial if you have a teacher who is able to do the technique
powerfully and effectively - on anybody.
At this point, I would like to pose a question.
If you are six feet tall, and have two ukes, one who is also six
feet tall and the other who is five feet tall, would you perform
the technique with the same movement? It has been my experience
that most people perform exactly the same movement, regardless of
the different sizes of uke. This shouldn't be the case. Shite must
alter the technique according to uke's size, and ability while maintaining
the proper form and distance.
If you continually research and practice the techniques,
you will be able to perform them powerfully on any uke, and you
will learn to control and throw uke without hurting them. It seems
like a paradox, but it is amazing when you actually do it, or have
it done to you. When you throw uke powerfully to the tatami and
you don't feel any thing in your technique and uke is able to continue
to train, it is a wonderful feeling. How do we develop this skill?
The answer is in constant practice and research.
In the honbu dojo, I am always amazed at how effortless
Chida Sensei looks when he does his techniques. It's almost as if
he's asleep, but he has thrown me harder while explaining and demonstration
a technique than when other people try to rip my head off!!
I now understand that he is able to do this because
his lower body is rock solid and balanced, while his upper body
is straight, strong and relaxed. This allows him to use his whole
body power in the movement and enables him to focus all his mental
and physical power on one point, usually on uke's weak point, creating
an amazingly beautiful and frighteningly powerful technique
The top aikido teachers are always emphasizing
the difference between strength and power. Strength is the muscle
power in a technique that is considered quite weak. Power, on the
other hand, is the use of the entire body to execute a movement
in conjunction with precise technique. The differences between theses
two concepts are profound and must be felt to be believed and understood.
To acquire an understanding of these differences
requires trust between shite and uke. In practice it is a good idea
to sometimes resist each other when performing techniques. This
requires that shite control his ego and not be concerned if the
techniques don't work. If you practice diligently and don't give
up, results will come, and your level will improve. You should try
to do the techniques in many ways, with for example, no power whatsoever,
full power, or a mixture of both. Sometimes, you will undoubtedly
bang each other around, but if practice is undertaken with improvement
and mutual growth in mind, shite and uke won't wind up trying to
kill each other. Please keep in mind that the techniques have potential
for great damage; appropriate care must always be exercised.
Another way to practice is by only using one hand
to perform techniques, or even no hands! When you can do a technique
with one hand as strongly and with as much power as with both, you
will notice a remarkable change in your confidence and ability.
I have an interesting video where I'm attacking Takeno Sensei with
a tanto. He defends, using one hand to throw me, while speaking
into a microphone that he is holding in his other hand. He makes
it look very, very easy, but ability on this level requires lots
of practice, and repeated failures.
When you are practicing, it's important to be
honest with yourself. Try to understand the weak points in your
basic movements and techniques. Only through such reflection will
you be able to improve. For teachers and people of advanced rank,
this is very hard to do. It requires admitting to yourself that
although you are a teacher, more practice and training is needed.
It is the only way to improve your level and understanding.
The ultimate goal of Yoshinkan Aikido is to perform
techniques the way Kancho Sensei performed them. This requires the
lifelong commitment that he showed. Let's hope that one day we can
all achieve the understanding and love of Aikido that he had.
I have put down some of my thoughts based on my
experiences in the honbu dojo. I fully realize how much further
I have yet to go. I hope that all Yoshinkan practitioners will continue
to grow individually while promoting the growth of Yoshinkan Aikido.
Robert Mustard
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